Theses/Dissertations from 2017
The Analysis And Costume Design Of Jennifer Haley's The Nether, Emily Taylor
Theses/Dissertations from 2016
"Mad In Craft": Action And Melancholy In William Shakespeare's Hamlet, Daniel Arthur Johnson
Theses/Dissertations from 2015
An Analysis Of The Title Role In Scapino!, Joe D. Bussey
Performing The Role Of Sylvestro In Scapino!, Zachary Cal Lee
Theses/Dissertations from 2014
Simon In Performance: The Analysis And Direction Of Rumors, Brett Olson
Theses/Dissertations from 2013
Republicanism In Coriolanus, Anthony James Albright
An Analysis Of Theoni Aldredge's Life And Career, Matthew Scott Dempsey
Creating The Role Of Iago: An Analysis Of The Pre-Rehearsal Process, Jordan Brent Wolfe
Theses/Dissertations from 2012
The Process Of Writing "wind", A Play Inspired By An Actual Event, Matthew J. Hegdahl
Voices Of The Prairie, Jeanette Kenner
Portraying The Role Of Giuseppe Zangara In Sondheim's Assassins, Casey Paradies
Playing Sam Byck: Analysis Of Text And Performance In Sondheim's Assassins, Hyrum Wright Patterson
Theses/Dissertations from 2011
Culture and class in theatre : analysis and direction of Lucy Thurber's Scarcity, Benjamin J. Klipfel
Creating collaborative meaning : using viewpoints and composition towards an imagistic staging of Edgar Lee Masters' Spoon River Antholoogy, Larisa Marie Netterlund
Geek vaudeville : creating community through w00tstock, Tyler J. Sheeley
How to succeed in How to succeed : creating the character Mr. Biggley in the musical How to Succeed in Business Without Really Trying, Daniel L. Walstad
Theses/Dissertations from 2010
The actor's process : from page to stage, Julia N. Porter
Theses/Dissertations from 2008
Swimming In The Shallows: Drowning The Standard Conventions of Directing, Debra A. Berger
An application of acting methodologies of Lee Strasberg, Stella Adler, and Sanford Meisner to Roles in Anton in show business, Misti D. Koop
Authority and cultural interaction on Frankish Cyprus, 1191-1374, David D. Terry
Theses/Dissertations from 2006
Living in The Good Body : theoretical approaches to Eve Ensler's play, Christel R. Hustad
The last prejudice : characterization of fat women in the entertainment industry, Kelly Dianna MacLeod
Social Reality Versus Theatrical Portrayal: Puerto Rican Gangs in West Side Story, Rebecka Peterson
Theses/Dissertations from 2005
Rounding third and heading for home : the process and production of a one man show, Ryan M. Haider
The Elegance of Gower Champion: An Analysis of His Style of Direction in the Musical Hello Dolly!, Mary Ann Snow Kabaker
Shakespeare's Helena from text to performance : an application of acting theory, Lynette M. Lepire
Theses/Dissertations from 2004
Creating an Educational Children's Show for Television, Mary Elizabeth Lizakowski
Costume designs for Proof, Livia Jane Schonteich
Queering George Farquhar's The recruiting officers, John Tollef Thompson
Theses/Dissertations from 2003
What's love got to do with it : Jon Dorf's Shakespeare in Love? and the high school audience, Sean F. Elliott
A particular class of women : the female body in performance, Heather A. Williams
Theses/Dissertations from 2002
A Dramaturigal Approach to Margaret Edson's Wit, Bethany Jean Froelich
Actor motivated scenic design using biomechanics and constructivism, Troy C. Wilhelmson
Theses/Dissertations from 2001
A Study of Directorial Choices in Tennessee Williams' Play Out Cry Focused on Selected Expressionistic Elements, Joyce A. Johnson
Theses/Dissertations from 2000
The scenic design process for the University of North Dakota's production of Paula Vogel's How I learned to drive, Kelly Jane Dailey
The Way We Were (Are): Directing Memory, Gender and Identity in Emma Dongohue's Ladies and Gentlemen, Kathryn J. O'Donnell
Getting Out: A Feminist Psychoanalytical Analysis of Intimate Violence, Aili Marie Smith
Theses/Dissertations from 1999
Glengarry Glen Ross : a directoral exploration of gender reversal through performance, Sharyl L. Simeone
Theses/Dissertations from 1998
Floating Rhoda and the glueman : a feminist psychoanalytical analysis of domestic violence through performance, Laurie K. Hinn
Drama as an evangelical tool, Jessica Lyn Potts
Theses/Dissertations from 1997
The Metropolitan Theatre in Grand Forks, North Dakota: The Years of Decline, 1911-1933, John M. Bell
Costume Designes for Hamlet: A High School Production, Ardith Brooks
A Showcase of Sanford Meisner's Acting Theory: An Experimentation, Marcie K. Gallagher
One thing in common : the creation of a multicultural children's theatre script and production, Paul H. Johnson
Jungian dream theories applied to Judith Thompson's White biting dog, Vicki Lynn Pozzebon
Gray matters : perceptions on race : an original performance in Grand Forks, Katrina L. Wagner
How to be popular in six easy steps and other lies they told us: Creating a script collaboratively, Andrea Nichelle Harris Weir
Theses/Dissertations from 1995
Women Who Choose: the Theme of Mothering in Selected Dramas, Becky K. Becker
The Role of Compulsory Heterosexuality in the Abdication and Queen Christina, Becky Beth Benedict
Deaf theatre and sign language: Tools for theatre education and production, Carol JM Frisch
The female gaze shined on three selected female characters found in musical theatre, Michelle L. Harsche
An application of Vsevolod Meyerhold's principles of biomechanics to an original performance text, Joseph D. Ralston
Director/designer communication in community theatre, James Grenville Rock
Theses/Dissertations from 1994
Directing Lanford Wilson's Talley's Folly, Dawn Dorene Augér
Vincerò : a play in two acts, Jan Delovage Blount
Theses/Dissertations from 1993
A Comparative Character Analysis of Ruth and Kate in Harold Pinter's The Homecoming and Old Times: The Issues of Need, Possession and Power, Daniel K. Dammel
Production Activity and Performers at the Metropolitan Theatre, Grand Forks, North Dakota 1898 - 1911, Dawn D. Drake
Theses/Dissertations from 1992
Medora : an original play based on the life of the Marquis De Mores, Walter E. Anderson
Eric Overmyer's on the Verge a Production Focusing on Feminine Values, Beth Stadem-Carlson
Theses/Dissertations from 1990
Directing an original script: "The only woman awake is the woman who has heard the flute", Denise A. Heiman
Chautauqua in Devils Lake, North Dakota: An Historical Study of the Organization, the Facilities, and Programs, Judy R. Peterson Ryan
Theses/Dissertations from 1989
An inquiry into aestheticism and its influence evident in selected plays of Oscar Wilde, Michael Barrett Childs
Theses/Dissertations from 1988
Balk's music-theatre performance theory : application to the non-musical play, Miss Julie, John W. Hill
Brother Samuel : an original play implicating the technique of presentational subtext revelation to acquire empathy, David T. Rodriquez
Theses/Dissertations from 1986
An Analysis of the Comic Elements in a Production of Joe Orton's Entertaining Mr. Sloane, Mary Beth J. Barder
Theses/Dissertations from 1985
An Exhibition of Original Designs Created For the Premiere Performances of Plays by Maxwell Anderson, Bee Pearce
"Remnants": An Analysis of a Staged Reading, Julie Ann Stroop
Theses/Dissertations from 1984
Touring a Children's Theater Production Designed for Grades 1 Through 6, Paula D. Lindekugel
Theses/Dissertations from 1982
I think I can: Analysis of a theatrical experience for pre-school children ages four to six, Pamela Marie Donelan
A Production Approach to the Shadow Box: A Thematic Study of Death and Dying, Michael Joseph Kramer
Theses/Dissertations from 1981
Hedda Gabler: A Design Interpretation, Katherine J. Jacobs
Performance approaches to Jean Rhys' novel V̲o̲y̲a̲g̲e̲ i̲n̲ t̲h̲e̲ d̲a̲r̲k̲, Donna Marie Nudd
Theses/Dissertations from 1980
Uncle Vanya by Anton Chekhov : a translation, Duane Fish
Theses/Dissertations from 1978
Cole Porter's 'Kiss Me, Kate' Adapted for "Micro-Touring", Roger T. Kalinowski
Theses/Dissertations from 1977
The Transvestitie Female Shakespearean Phenomenon: Charlotte Cushman's Romeo and Sar Bernhardt's Hamlet, Ellen Boyer
Theses/Dissertations from 1973
The Use of Polyethylene Film as a Scenic Medium, Paul K. McCullough
Henrik Ibsen's Ghosts adapted for the arena theatre, William Frank Mellien
A transactional analysis approach to four of Tennessee Williams' female protagonists, Pamela G. Seematter
Theses/Dissertations from 1972
The use of the supporting characters in John Osborne's dramatic works, Gorden O. Hedahl
The petticoat prerogative: An original 2-act play, Jean M. Mattson
Theses/Dissertations from 1971
The aesthetic and technical problems in designing and mounting the Tingalary Bird: A production design thesis, James Beal Lutz
Waiting for Godot: A Directorial Approach, Kenneth M. Maciula
The cooperative directorial method and open space staging as applied to a production of Tennessee Williams' The glass menagerie, Stephen B. Thorson
Theses/Dissertations from 1965
The Solo Vocal Music of Benjamin Britten: The Effect of the Text Upon the Music, David A. Reiser
Theses/Dissertations from 1964
An Investigation of the Readers' Theatre Production Style, Winnifred A. Larson
Theses/Dissertations from 1957
North Dakota editors and the Cuban crisis, 1895-1898, Milton Wayne Reitan