Floodwall Magazine
Spring 2023
From the Editors
We couldn’t be more excited to be publishing the seventh issue of Floodwall, the student-run literary magazine at the University of North Dakota. Floodwall actively honors our namesake by steadfastly holding space for our creative community since its revival in spring 2020. In that time, our community has endured a worldwide pandemic and borne witness to social inequality and unrest—both collectively and individually. Similar to the flood walls in our local communities, Floodwall exists as a barrier that allows individuals to explore current matters, to escape the present and create something new, and to participate in an effort that’s larger than oneself. It’s a great honor to have been part of so many lives and a recipient of an outpour of support, which has allowed us to continue this work. We’ve enjoyed every moment of it.
Undoubtedly, our ability to sustain and continue our work can be summed up in one word: community. In its many forms, community has always been central to the values and work of Floodwall. We consider it to be to our benefit that we’re a part of such an actively dynamic community—one that’s always changing. Our capacity for change is what brought us to our most recent volume and has allowed us to publish a truly unique issue for the past seven semesters. We consider the opportunity to remain a dynamic, ever-evolving publication one of the most special parts of our work. We’re so grateful you’ve joined us on this journey.
As we move into the season of growth and change (otherwise known as spring!), we hope you’ll take a moment to reflect with us through this issue. On the cover, you’ll find Jonathan Sladko’s photo, which captures the intense greens and blues of our local prairies and skies in the spring and summer. In the pages that follow, you’ll be invited into even more creative spaces, which grapple with ideas of change and growth. A tale of a group of snails who find joy amongst the soil of neighborhood gardens, feast on various vegetables, and even encounter a little trouble along the way. Portfolios of photography that ask us to stop, observe, and appreciate the natural beauty of our home, Earth. A trip to the farmer’s market which leads to an unexpected testimony of lineage and home. A meditation on existence, growth, and self through the nostalgia of music.
We’re immensely grateful for our contributors entrusting Floodwall to be the home of their creative pursuits and for our volunteers who helped make this issue possible. And most importantly, thank you, readers, for your support of our work. We hope you find as much joy in this issue as we have in the process of creating it.
Front Matter
Fiction
I Hope You Read This and Feel Awful
Clara Anderson-Cameron
Dear Already Amused Reader
Lala Guse
Gail and His Snails
Brenden Kimpe
Mirrored Demise
Danika Ogawa
I Hope You Read This and Feel Awful
Clara Anderson-Cameron
Dear Already Amused Reader
Lala Guse
Gail and His Snails
Brenden Kimpe
Mirrored Demise
Danika Ogawa
Poetry
What Is Love? (Baby Don’t Hurt Me)
Clara Anderson-Cameron
Heisenberg Uncertainty Principle Blues
Chad Erickstad
Abstraction
Casey Fuller
The Prairie
Casey Fuller
The Last Breath
Nyah Kauders
Marie in the Fall
Nyah Kauders
Mug of Adoration
Savana Middleton
Returning to North Dakota
Linnea Nelson
Planting Greek Tomatoes
Linnea Nelson
Aubade with Three Persons
Linnea Nelson
Global Warming
Lucy Paschke
A Love Letter to ChatGPT
Mark Patterson
Feminine Rage
Caitlin Scheresky
An Ode to Fiji and Its Visitors
Katerina Sladko
Unentangle me
Julia Tietz
A vendor at the Grand Forks, ND, farmer’s market baffled me
Elena Uhlenkamp
A vendor at the Grand Forks, ND, farmer’s market baffled me
Elena Uhlenkamp
Unentangle me
Julia Tietz
An Ode to Fiji and Its Visitors
Katerina Sladko
A Love Letter to ChatGPT
Mark Patterson
Global Warming
Lucy Paschke
Three Poems
Linnea Nelson
Mug of Adoration
Savana Middleton
The Prairie
Casey Fuller
Heisenberg Uncertainty Principle Blues
Chad Erickstad
What Is Love? (Baby Don’t Hurt Me)
Clara Anderson-Cameron
Nonfiction
Tattoos and Chopsticks: My Mother and I
Claire Arneson
The Saga of James Wolfe
Ian Ellenson
Song(s) of Myself
Aubrey Roemmich
I do not understand time.
Jaden Rose
Slice of Life
Melanie Schindler
Minnesota Fishing Regulations
Karissa Wehri
Minnesota Fishing Regulations
Karissa Wehri
Tattoos and Chopsticks: My Mother and I
Claire Arneson
The Saga of James Wolfe
Ian Ellenson
Song(s) of Myself
Aubrey Roemmich
Three Poems
Jaden Rose
Slice of Life
Melanie Schindler
Photography
Schoolhouse on the Prairie
Shelamar Henderson
Sunflower Basking in the Sun
Shelamar Henderson
Feels Like Home
Jonathan Sladko
Lime Kiln Lighthouse
Jonathan Sladko
Moulton Falls Bridge
Jonathan Sladko
Prairie Breeze
Jonathan Sladko
Sunset in the Sky
Jonathan Sladko
Time Piece
Katerina Sladko
June Blooms
Elena Uhlenkamp
Morning Drizzle
Elena Uhlenkamp
Photography Portfolio
Shelmar Henderson
PhotographyPortfolio
Aspen Jewkes
Photography Portfolio
Jonathan Sladko
Time Piece
Katerina Sladko
Photography Portfolio
Elena Uhlenkamp