Floodwall Magazine
At Floodwall, we believe that creative writing can bring people together and challenge us to see the world in new and different ways. In 2012, a group of graduate students in the English Department started Floodwall Vol. 1. They published five issues of fiction and poetry by incredibly talented writers as well as interviews with world famous authors. The amount of work these students did to bring the magazine to life was enormous, and they kept it going for as long as they were at UND.
We don't want to lose what they did - so after some years of inactivity, we've sprayed down "the wall" and revamped it with an eye toward our students. Creative writing is still at the center of Floodwall's mission, but in order to foster a literary community on our campus, we think it's important to share the work being done right here at UND. Floodwall has always been collaborative, and UND’s writers, artists, and editors will continue to build this literary tradition together, brick by brick, piece by piece. Now in its second iteration, in an effort to showcase a variety of creative works from all members of our student body, Floodwall Vol. 2 publishes fiction, poetry, nonfiction, photography, and digital art made by students at The University of North Dakota.
For most recent updates please see the live Floodwall Magazine website.
Current Issue: Volume 2, Issue 9 (2024) Spring 2024
From the Editors
What a pleasure it is to be revealing volume 2, issue 9 of Floodwall, the University of North Dakota’s student-run literary magazine! The time flew as it usually does, and everyone here at Floodwall is incredibly grateful to be sharing this work of collective passion and dedication with you all. Floodwall has always been a place of community, a place in which all can gather and seek shelter from the storm as the world around us changes and we along with it. Over the course of the last few issues, the number of submissions has ebbed and flowed; content changed with the state of the world; snow fell late and melted later. Throughout all of these shifts, our one constant has been the incredible dedication and constant support of our contributors, volunteers, and readers. This semester is no different— and this issue is as much a collection of change as it is a solid representation of the creative community at UND.
This semester has been one chock-full of unprecedented experiences and exciting progress here at Floodwall, in spite of our sturdy name! As readers may notice upon opening this issue of Floodwall, we’ve upgraded our page layout. For one thing, our new layout includes the author’s name, in bold, in the header of each page of their contribution. By placing the contributor’s name on the outer edge of each page, we’re celebrating what draws all of us to Floodwall: the brilliant work of the writers and artists on campus! They’re the ones who build the wall, brick by brick. Our contributors are the heart and soul of Floodwall, and it is our greatest honor to be able to provide shelter for their creative work.
Floodwall’s proudest accomplishment is to be part of such a wonderful community, sharing our artist’s incredible work and its development over the course of their stay at UND. This issue, of course, is no different. On the cover of this issue is Nicholas Baldwin’s piece titled “Imitating.” With its sandstone-colored backdrop and its range of colors, “Imitating” reminds us of our magazine’s namesake—the flood walls by the Red River, here in Grand Forks. Inside this issue, you’ll share in the rapid, ever-changing world of our contributors and their work as they explore the world around them. Love, both for others and oneself, and the ways in which it keeps us warm and drowns us all the same. The soft recollection of memories, as remembered by us and those with whom we share them. Identity, self-image, and the ways in which they ebb and flow with time, patience, and discovery. Seasons passing by, watching as we, too, fit in the in-betweens and change as the weather does. Our fears, our hopes, our inward and outward change as we become who we’re meant to be. So, too, Floodwall changes with them, but remains steady all the same.
While you explore the wonderful pieces within this issue, we hope you’ll also explore our masthead. There, the complete Floodwall team, including our volunteer reading board members, section editors, copyeditors, layout and design team members, and proofreaders are recognized for their incredible dedication to both Floodwall and you all, the readers. Floodwall wouldn’t be Floodwall without them, and we couldn’t be prouder of or more grateful for our team.
Fiction
The Imbalance That Saved Tatsuki
Cadence Gray
Interior Monologue
Chad Erickstad
The Little Things
Brenden Kimpe
Lindsey Cochran: Retail Exorcist
Robert D. Moore Jr.
Those Who Fail to Learn
Jasmine Patera
Tainted Love
Lydia Schengrund
Poetry
A Cheers to Goodbye
Drake Carnes
The Reaper
Korbyan Chavez
Observe, Feel, Reflect
Alexis Crane
the jester
Jay Cummings
Out of That Darkness More Darkness Has Come
Casey Fuller
A Different Type of Sickness
Tabitha Lee
The Story about the Witch's Familiars
Maiken Møller-Andersen
A Gold-Lined Barrel
Dani Ogawa
Borrowed Time
Chloe Piekkola
A Sonnet for Alaska
Jonathan Sladko
To a Cabin in the Woods
Jacob Stanley
7am breakfast
Maren Schettler
You must whisper this poem
Maren Schettler
Aglaura & Cidippe Warn Their Captive Sister
Jasmine Patera
Son of Abraham
Jasmine Patera
touch, or, beautiful people
Clara Anderson-Cameron
library magic
Clara Anderson-Cameron
Grandma Betty
Jameson KO Buckau
Land of Improbable Dreams
Chris Erickstad
An Upward Trend
Brenden Kimpe
shards of memories
Sevi Sapunar-Lahr
sometimes i worry
Sevi Sapunar-Lahr
Caffeine and Me
Chad Erickstad
Nonfiction
Escaping the Iron Maiden
Drake Carnes
I Remember Walking
Chad Erickstad
Photography
Marbled Frog Wood Cut
Nicholas Baldwin
Summer School
Nicholas Baldwin
Tree-Lined
Chad Erickstad
Naked Lunch
Casey Fuller
Minima Moralia
Casey Fuller
Love Medicine
Casey Fuller
Bernese Oberland
Jonathan Sladko
Teddy Roosevelt National Park
Jonathan Sladko