Floodwall Magazine
Fall 2022
From the Editors
We’re excited to be publishing our sixth issue of Floodwall, the studentrun literary magazine at the University of North Dakota. For three years, Floodwall has been—if you’ll let us have just one wall pun—a loadbearing wall in our campus literary community. Our vision has always been to represent the creative voices and original expression that occurs across our campus community. And in a fall semester that seems busier than ever, it’s an immense honor for us to support writing and art in all their forms.
When we’re asked what kind of work we publish, we often point to the mission statement on our website, or the editors’ notes on the first f ive issues of volume two. We highlight how important it is to represent the voices of writers at UND, and we emphasize how important it is to spotlight and inspire those creators. But that’s also what makes publications like Floodwall special—we have the privilege of showcasing the work of writers as our community adapts and changes. Which means that Floodwall isn’t limited by a “brand” or a marketing strategy or a set of traditions (even if we have started to commit to the iconic look of our covers!). We get to grow and morph and adapt alongside all of you who are reading these pages and sharing your work. And we’re all thrilled to be going on this journey with you, dear readers.
And that might even be a recurring theme you’ll find in this fall’s pages. The writers and artists sharing work in this issue have a clear sense of adventure and a hope for new beginnings: we thought that Emilia Adkinson’s photograph of a railroad trestle, with its tunnel-like opening and its airy vibe, is the perfect entry point to the explorations you’ll find in our newest issue of Floodwall.
What other journeys are in store? Oh, plenty more. An experimental warp-drive plunges a canny crew of space explorers into an adventure at the fringes of time and space. A meditation on ghosts revels in the ways that we are all haunted. Text messages between English majors snark over the torturous requirements of papers but promise friendship and an emergency Shrek screening. A guitarist lit on a grassy knoll invites us to share in the brightness and hope of nature. And other poems, stories, and essays in this volume push us to unwind on blissful nights, or speak in defense of those with chronic illnesses, or let us meditate on our ideals and our visions of reality.
We’re grateful to all of the writers who have shared their work with Floodwall. We couldn’t go on this journey without them. And now we hope you’ll flip the page and explore the marvelous work in this issue.
Front Matter
Fiction
Ballet of Blood Water
Aubrey Roemmich
Texts Between English Majors
Aubrey Roemmich
Pieces of Me
Claire Arneson
In-Between
Claire Arneson
The Sparkling Heat I Found in the Bathtub
Delaney Otto
Activation Day
Elena Uhlenkamp
Midnight Occurrences
Valkyrie Bradford
Two Flash Fictions
Claire Arneson
Midnight Occurrences
Valkyrie Bradford
The Sparkling Heat I Found in the Bathtub
Delaney Otto
Two Flash Fictions
Aubrey Roemmich
Activation Day
Elena Uhlenkamp
Poetry
Laughter Is Warm, But So Is Fire
Aubrey Roemmich
UNWILLING MARTYR
Aubrey Roemmich
the day after
Autumn Thompson
After the Fire
Chad Erickstad
Half-Staffed American Flags
Chad Erickstad
Message Received
Chad Erickstad
Forever Thirteen
Claire Arneson
Blissful Night
Dustyn Huber
Why I Write
Elena Uhlenkamp
Elegy to a Beloved Home
Elena Uhlenkamp
Echoes of History
Elena Uhlenkamp
Conversation with Life
Emilia Adkinson
Fleeting Autumn
Het Mehta
eulogy for the giant water bug in the target parking lot
Jona L. Pedersen
the english coulee
Jona L. Pedersen
The Lost and Found
Julia Tietz
The Lonely Sea
Valkyrie Bradford
Three Poems
Elena Uhlenkamp
Conversation with Life
Emilia Adkinson
The Lonely Sea
Valkyrie Bradford
Three Poems
Chad Erickstad
Blissful Night
Dustyn Huber
Fleeting Autumn
Het Mehta
Three Poems
Aubrey Roemmich
the day after
Autumn Thompson
The Lost and Found
Julia Tietz
Nonfiction
Ghosts Are Real
Delaney Otto
Type 1 Issue
Grace Miller
The Ideal Deconstructed
Kira Symington
The Ideal Deconstructed
Kira Symington
Type 1 Issue
Grace Miller
Ghosts Are Real
Delaney Otto
Photography
Photograph
Charles Steinberger
Three Photographs
Elena Uhlenkamp
Photograph
Emilia Adkinson
Three Photographs
Sarah Dignan
Lost in the Sun
Simi Kaur
Lost in the Sun
Simi Kaur
Three Photographs
Sarah Dignan
Two Drawings
Jona L. Pedersen
Photograph
Charles Steinberger
Three Photographs
Elena Uhlenkamp
Digital Art
Two Drawings
Jona L. Pedersen