Theses/Dissertations from 1980
A Study of the Figure, William G. Lubitz
Theses/Dissertations from 1977
Subdued Imagery of Watercolor and Oils Through Experimentation of Technique, Dona D. Erickson
Expanding Expressions Involving Experiments in Painting, Sculpture, and Intanglio Printing, Rheta Mae Mason
Linear Limitations of Two-Dimensional Drawing, Benedict Gi-Ling Wang
Theses/Dissertations from 1976
Experiments and Observations in Painting and Serigraphy, Steve R. Garner
Theses/Dissertations from 1975
Emotional Experience of Art: An Artist's Statement, Margaret M. Bursinger
Emotional Experience of Art: An Artist's Statement, Margaret M. Bursinger
Themes, Intentions, and Fog: An Artist's Statement, Robert M. Jankel
Art as Adventure, Christopher R. Langseth
Theses/Dissertations from 1973
The Human Female Figure as an Affected Image in Modern Art, Gregory G. Chyle
Perceptions: An Artist's Statement, Stephen Cockrille
Painting and Painting Symbols, James Joseph Hendrickx
Theses/Dissertations from 1972
Art As An Encounter: A Personal View, Jeffrey V. Freeman
Caricaturization and Its Ability to Depict Ideology, Maurice D. Olson
A Study of Serigraphy: Its Origins, Techniques, and Application to the Creation of Light Effects, Paul A. Stenhjem
The Nostalgic Revival in America, Dale A. Twingley
Theses/Dissertations from 1971
Nationalism and Patriotic Idealism as Thematic Aspects in Art, Daniel A. Doucette
An Attempt to Unify Two Divergent Currents in the Art of the Twentieth Century, Robert J. Hromyak
Theses/Dissertations from 1970
Viewer Oriented Art Forms, D. Gay Massee
Theses/Dissertations from 1969
The Cubist Aesthetic Theories of Pictorial Representation: An Analysis of the Component Structure of an Object to Create an Interior Reality, Sharon Lee DuVall
A Comparative Study of Teacher Prepared and Commercially Purchased Transparencies in Industrial Arts Education, Larry J. Yetter
Theses/Dissertations from 1968
Photography as Used by Artists, James R. Weeks