Theses/Dissertations from 2000
Social Climate in the University Social System, Peter L. Groff
Theses/Dissertations from 1992
Prairie Paupers: North Dakota Poor Farms, 1879-1973, Steven R. Hoffbeck
Theses/Dissertations from 1980
A Study of the Figure, William G. Lubitz
An Investigative Approach to the Collagraph, Melissa B. Walker
Theses/Dissertations from 1978
Miniature Mimicry, Claudia J. Berg
Serigraphs, Steve R. Garner
Abstracting the Familiar, Michael T. Lysenko
In Mild Defiance of Rectangular Stability, Robert A. Matz
Batik, Robert H. Miller
Freezing Unbound Images, Linda K. Shaw
Artist's Statement, Margaretha Maria Tettero
Theses/Dissertations from 1977
Subdued Imagery of Watercolor and Oils Through Experimentation of Technique, Dona D. Erickson
Expanding Expressions Involving Experiments in Painting, Sculpture, and Intanglio Printing, Rheta Mae Mason
Linear Limitations of Two-Dimensional Drawing, Benedict Gi-Ling Wang
Theses/Dissertations from 1976
Experiments and Observations in Painting and Serigraphy, Steve R. Garner
Evoking Regional Vestige - A Unique Legacy, Roberta J. Zahradka
Theses/Dissertations from 1975
Emotional Experience of Art: An Artist's Statement, Margaret M. Bursinger
Emotional Experience of Art: An Artist's Statement, Margaret M. Bursinger
Themes, Intentions, and Fog: An Artist's Statement, Robert M. Jankel
Art as Adventure, Christopher R. Langseth
Theses/Dissertations from 1973
The Human Female Figure as an Affected Image in Modern Art, Gregory G. Chyle
Perceptions: An Artist's Statement, Stephen Cockrille
Painting and Painting Symbols, James Joseph Hendrickx
Theses/Dissertations from 1972
Art As An Encounter: A Personal View, Jeffrey V. Freeman
Caricaturization and Its Ability to Depict Ideology, Maurice D. Olson
A Study of Serigraphy: Its Origins, Techniques, and Application to the Creation of Light Effects, Paul A. Stenhjem
The Nostalgic Revival in America, Dale A. Twingley
Theses/Dissertations from 1971
Nationalism and Patriotic Idealism as Thematic Aspects in Art, Daniel A. Doucette
An Attempt to Unify Two Divergent Currents in the Art of the Twentieth Century, Robert J. Hromyak
Theses/Dissertations from 1970
Viewer Oriented Art Forms, D. Gay Massee
Theses/Dissertations from 1969
The Cubist Aesthetic Theories of Pictorial Representation: An Analysis of the Component Structure of an Object to Create an Interior Reality, Sharon Lee DuVall
A Comparative Study of Teacher Prepared and Commercially Purchased Transparencies in Industrial Arts Education, Larry J. Yetter
Theses/Dissertations from 1968
Photography as Used by Artists, James R. Weeks
Theses/Dissertations from 1967
The Paris Lyric songs of Ned Rorem, Luther W. Enstad
The Changing Aspects of Nature in Art, Donald C. Grandbois
Painting as a Public Art, Wayne R. Juhala
An Analysis of Offset Process Color Separation Techniques Appropriate for Industrial Arts Programs, Earl B. Marshall
The Role of the Plastic Industry in Industrial Arts Education, James E. Preston
Theses/Dissertations from 1966
Non-Objectivity in Nature, Donald L. Lerud
A Visual Presentation of Man Prostituting Himself, Philip Edward Mullen Jr.
Rodeo Imagery in Art, Walter Piehl Jr.
Theses/Dissertations from 1965
Development of an Idea in Painting, Marlene N. Morelock
Theses/Dissertations from 1964
Human Concern in Contemporary Graphic Art, Bernadine A. Ziemke
Theses/Dissertations from 1937
A Vocabulary Course: An Experiment in Teaching Vocabulary as a Separate Course in High School, Olga C. Petersen