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Theses/Dissertations from 1980

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A Study of the Figure, William G. Lubitz

Theses/Dissertations from 1977

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Subdued Imagery of Watercolor and Oils Through Experimentation of Technique, Dona D. Erickson

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Expanding Expressions Involving Experiments in Painting, Sculpture, and Intanglio Printing, Rheta Mae Mason

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Linear Limitations of Two-Dimensional Drawing, Benedict Gi-Ling Wang

Theses/Dissertations from 1976

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Experiments and Observations in Painting and Serigraphy, Steve R. Garner

Theses/Dissertations from 1975

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Emotional Experience of Art: An Artist's Statement, Margaret M. Bursinger

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Emotional Experience of Art: An Artist's Statement, Margaret M. Bursinger

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Themes, Intentions, and Fog: An Artist's Statement, Robert M. Jankel

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Art as Adventure, Christopher R. Langseth

Theses/Dissertations from 1973

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The Human Female Figure as an Affected Image in Modern Art, Gregory G. Chyle

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Perceptions: An Artist's Statement, Stephen Cockrille

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Painting and Painting Symbols, James Joseph Hendrickx

Theses/Dissertations from 1972

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Art As An Encounter: A Personal View, Jeffrey V. Freeman

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Caricaturization and Its Ability to Depict Ideology, Maurice D. Olson

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A Study of Serigraphy: Its Origins, Techniques, and Application to the Creation of Light Effects, Paul A. Stenhjem

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The Nostalgic Revival in America, Dale A. Twingley

Theses/Dissertations from 1971

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Nationalism and Patriotic Idealism as Thematic Aspects in Art, Daniel A. Doucette

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An Attempt to Unify Two Divergent Currents in the Art of the Twentieth Century, Robert J. Hromyak

Theses/Dissertations from 1970

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Viewer Oriented Art Forms, D. Gay Massee

Theses/Dissertations from 1969

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The Cubist Aesthetic Theories of Pictorial Representation: An Analysis of the Component Structure of an Object to Create an Interior Reality, Sharon Lee DuVall

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A Comparative Study of Teacher Prepared and Commercially Purchased Transparencies in Industrial Arts Education, Larry J. Yetter

Theses/Dissertations from 1968

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Photography as Used by Artists, James R. Weeks