ALL: Master Collection List

 

Artist

Mark Amerika

Nationality

American

Preview

image preview

Date of Work

2012

Medium

Archival digital on LexJet paper

Edition #

29/30

Signature

Lower Right

Height

22"

Width

17"

Collection/Provenance

Art & Design Study Collection

Status

Stored: CE

Location

UND Art Collections Repository

Artist Bio

Mark Amerika’s work has been exhibited at the Whitney Museum of American Art, the Denver Art Museum, the Institute of Contemporary Arts in London, and the Walker Art Center. In 2009-2010, The National Museum of Contemporary Art in Athens, Greece, hosted his retrospective entitled UNREALTIME. Amerika is author of several books including remixthebook (University of Minnesota Press, 2011). His latest artwork, Museum of Glitch Aesthetics, was commissioned in conjunction with the London 2012 Olympics. Amerika is a Professor of Art and Art History at the University of Colorado at Boulder and Principal Research Fellow in the Faculty of Humanities and Social Science at La Trobe University. More information can be found at his website, markamerika.com.

Additional Information

Corrupted image, piece is abstract, colorful, and pixelated.

The original print exhibited in the area surrounding the Scale-Up Classroom was created in conjunction with UND’s 2012 Arts & Culture Confe

Corrupted image, piece is abstract, colorful, and pixelated.

The original print, exhibited in the area surrounding the Scale-Up Classroom, was created in conjunction with UND’s 2012 Arts & Culture Conference: Binary Inventions, Art & Culture in the Digital Age.

The print relates to a campus-wide plan called the “Living Art Museum.” The concept behind this plan stresses the idea of “relevancy” in regard to what is selected for display—as it relates to the concerns of people who are normally present in spaces where the art is placed. With this concept in mind, the artwork relates to the issue of recent digital technologies that are available to “scale up” processes utilized in contemporary printmaking.

Sundog Multiples was a printmaking venture created by Art & Design Professor Kim Fink, in conjunction with UND Art Collections, and generously funded by the Myers Foundations.

rence: Binary Inventions, Art & Culture in the Digital Age.

The print relates to a campus-wide plan called the “Living Art Museum.” The concept behind this plan stresses the idea of “relevancy” in regard to what is selected for display—as it relates to the concerns of people who are normally present in spaces where the art is placed. With this concept in mind, the artwork relates to the issue of recent digital technologies that are available to “scale up” processes utilized in contemporary printmaking.

Sundog Multiples was a printmaking venture created by Art & Design Professor Kim Fink, in conjunction with UND Art Collections, and generously funded by the Myers Foundations.

Condition

Excellent

Rights

Images are provided for educational purposes only and may not be reproduced for commercial use. Images may be protected by artist copyright. A credit line is required to be used for any public non-commercial educational purpose. The credit line must include, “Image courtesy of the University of North Dakota.”

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