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Home > Communities > UND Art Collections > DAUMIER-PRINTS

Prints by Honoré Daumier from the Lilly Jacobson Collection

Honoré Daumier (1808-1879) was a prominent French artist of the nineteenth century. The Lilly Jacobson Collection at the University of North Dakota contains over 1,400 original prints by Daumier that were gifted to UND in 2016. The prints by Daumier in this collection extend from 1832 to the early 1870s.

Daumier was a political progressive of his day, whose satirical art often addressed political and social issues. As an anti-monarchist, he espoused republican principles and was a strong advocate for freedom of the press. By today’s standards, however, Daumier would not be considered progressive on some issues. In regard to women’s rights, for example, he held conventional views that were characteristic of his time.

Especially active as a lithographer, Daumier produced over five thousand original prints during his prolific career. He also executed about 550 paintings for which recognition did not occur until 1878 when a retrospective exhibition was finally held in Paris. In addition, Daumier made over a thousand drawings and about a hundred sculptures.

Born in Marseille, France, Daumier moved north to Paris with his family in 1816. His involvement with lithography began in the 1822, just a quarter century after the artistic process was invented. After the Revolution of 1830 and the rise of Louis-Philippe as King of the French, Daumier began working for the journal, La Caricature, for which one of the artist’s caricatures of Louis Philippe led to a six-month prison sentence.

In 1833, satirical lithographs by Daumier began to appear in the illustrated newspaper Le Charivari. However, after the passing of new censorship laws in September 1835, the caricatures for Le Charivari tended to be less political and more aimed at tamer social issues, such as commentaries on lifestyles of the bourgeoisie. More politically charged caricatures resurfaced in Daumier’s art during the Second French Republic (1848-1852) and the Second French Empire (1852-1870).

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  • Arlépaire by Honoré Daumier

    Arlépaire

    Honoré Daumier
    1833

  • Arrivée a une station. by Honoré Daumier

    Arrivée a une station.

    Honoré Daumier
    1852

  • Arrivée dans une ville trop hospitalière où l'on s'arrache les voyageurs. by Honoré Daumier

    Arrivée dans une ville trop hospitalière où l'on s'arrache les voyageurs.

    Honoré Daumier
    1852

  • Arrivée dans une ville trop hospitalière où l'on s'arrache les voyageurs. by Honoré Daumier

    Arrivée dans une ville trop hospitalière où l'on s'arrache les voyageurs.

    Honoré Daumier
    1852

  • Arrivée sur la terre de deux filles de l'air. by Honoré Daumier

    Arrivée sur la terre de deux filles de l'air.

    Honoré Daumier
    1852

  • ARTICLE 27 DU RÉGLEMENT by Honoré Daumier

    ARTICLE 27 DU RÉGLEMENT

    Honoré Daumier
    1858

  • ASCENSION DE JÉSUS-CHRIST by Honoré Daumier

    ASCENSION DE JÉSUS-CHRIST

    Honoré Daumier
    1841

  • Aspect de la rue Lacépède, depuis qu'on s'y livre à la chasse au serpent. by Honoré Daumier

    Aspect de la rue Lacépède, depuis qu'on s'y livre à la chasse au serpent.

    Honoré Daumier
    1858

  • Aspect de la Seine de Paris à Chatou by Honoré Daumier

    Aspect de la Seine de Paris à Chatou

    Honoré Daumier
    1851

  • Aspect de la Seine de Paris à Chatou by Honoré Daumier

    Aspect de la Seine de Paris à Chatou

    Honoré Daumier
    1851

  • Aspect des boulevards pendant la foire aux bibelots. by Honoré Daumier

    Aspect des boulevards pendant la foire aux bibelots.

    Honoré Daumier
    1856

  • Aspect d'une gare de chemin de fer au moment du départ d'un train de plaisir. by Honoré Daumier

    Aspect d'une gare de chemin de fer au moment du départ d'un train de plaisir.

    Honoré Daumier
    1852

 

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