Date of Work
Hand colored lithograph
Initialed in the lithographic stone.
Art & Design Study Collection
UND Art Collections Repository
Honoré Daumier was a prolific painter, printmaker and caricaturist born in 1808 in Marseille, France. In 1822 Daumier studied under Alexandre Lenoir, an artist and archaeologist that was dedicated to saving French monuments during the French Revolution. One year later he went on to attend the Académie Suisse. His works are best known for commenting and critiquing on the 19th century social and political life in France. Honoré Daumier's works can be found at the Louvre, the Metropolitan Museum of Art, the Rijksmuseum, and several other prominent collections internationally. The University of North Dakota holds more than 1600 works by Daumier, the vast majority of which are part of the Lilly Jacobson Collection, which can be accessed here: https://commons.und.edu/daumier-prints/
Aside from making powerful politically-charged images that reflected his pro-republican views, Daumier satirized lawyers, doctors, businessmen, professors, and lifestyles of the bourgeoisie. Although the inscriptions that accompany Daumier’s lithographs were not written by him, one might assume they mostly conveyed the spirit of the artist’s intent behind his images.
Le jour où l’on met en perce un tonneau de vin de Malvoisie. 1843-46
English: The day when one broached a cask of Malvoisie wine.
Hand-colored lithograph, sur blanc impression, initialed in lithographic stone
Purchased with funds from the Myers Foundations
University Art Collections: Art & Design Study Collection
Wine is more than just a beverage in French culture, but a point of great national pride. Just as today, French wines were renowned worldwide in the nineteenth century. During Daumier’s lifetime, vintners prospered as the rising middle class created a flourishing market for fine wines like the Malvoisie depicted in this print—a dessert wine from the south of France.