Title of Work
Initialed in the lithographic stone.
Art & Design Study Collection
UND Art Collections Repository
Honoré Daumier was a prolific painter, printmaker and caricaturist born in 1808 in Marseille, France. In 1822 Daumier studied under Alexandre Lenoir, an artist and archaeologist that was dedicated to saving French monuments during the French Revolution. One year later he went on to attend the Académie Suisse. His works are best known for commenting and critiquing on the 19th century social and political life in France. Honoré Daumier's works can be found at the Louvre, the Metropolitan Museum of Art, the Rijksmuseum, and several other prominent collections internationally. The University of North Dakota holds more than 1600 works by Daumier, the vast majority of which are part of the Lilly Jacobson Collection, which can be accessed here: https://commons.und.edu/daumier-prints/.
Aside from making powerful politically-charged images that reflected his pro-republican views, Daumier satirized lawyers, doctors, businessmen, professors, and lifestyles of the bourgeoisie. Although the inscriptions that accompany Daumier’s lithographs were not written by him, one might assume they mostly conveyed the spirit of the artist’s intent behind his images.
Series: Le Public Du Salon
Published in Le Charivari in 1852
Original Text: Laisse-moi regarder encore un peu, papa!.. Ça me fait bien de la peine le supplice de ce pauvre comte d'Egmont! - Tu ferais mieux d'avoir pitié du supplice de ton malheureux père qui a les bras cassés à force de te tenir en l'air!
-Please Papa, let me look again... I am so sorry for poor Count Egmont's pain!
-You'd better feel sorry for your unfortunate father, who is breaking his arms, holding you up I'm the air like that.