ALL: Master Collection List

 

Nationality

French

Artist Dates

1808-1879

Preview

image preview

Date of Work

1846

Medium

Lithograph

Signature

Initialed in the lithographic stone.

Height

14 1/4"

Width

10 3/4"

Collection/Provenance

Art & Design Study Collection

Status

Stored: FF_006_T

Location

UND Art Collections Repository

Artist Bio

Honoré Daumier was a prolific painter, printmaker and caricaturist born in 1808 in Marseille, France. In 1822 Daumier studied under Alexandre Lenoir, an artist and archaeologist that was dedicated to saving French monuments during the French Revolution. One year later he went on to attend the Académie Suisse. His works are best known for commenting and critiquing on the 19th century social and political life in France. Honoré Daumier's works can be found at the Louvre, the Metropolitan Museum of Art, the Rijksmuseum, and several other prominent collections internationally. The University of North Dakota holds more than 1600 works by Daumier, the vast majority of which are part of the Lilly Jacobson Collection, which can be accessed here: https://commons.und.edu/daumier-prints/

Aside from making powerful politically-charged images that reflected his pro-republican views, Daumier satirized lawyers, doctors, businessmen, professors, and lifestyles of the bourgeoisie. Although the inscriptions that accompany Daumier’s lithographs were not written by him, one might assume they mostly conveyed the spirit of the artist’s intent behind his images.

Additional Information

Series: LES BEAUX JOURS DE LA VIE

Published in Le Charivari & Album Les Beux Jours de la Vie

Original text: Un monsieur qui veut se donner la satisfaction d’avoir

son masque.

English: A gentleman who enjoys the satisfaction of having his mask taken.

Lithograph, published in Le Charivari, initialed in the lithographic stone

Purchased with funds from the Myers Foundations

University Art Collections: Art & Design Study Collection

Sculptors sometimes used plaster casts or “life-masks” of a person’s face as the basis for a portrait bust. From the application and drying of the plaster, to its skin-pulling removal, the process was incredibly uncomfortable. The subject of Daumier’s print seems likely to agree with Abraham Lincoln, who underwent the procedure in 1860—he found it “anything but agreeable.”

Rights

Images are provided for educational purposes only and may not be reproduced for commercial use. Images may be protected by artist copyright. A credit line is required to be used for any public non-commercial educational purpose. The credit line must include, “Image courtesy of the University of North Dakota.”

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