Title of Work
Date of Work
Initialed in the lithographic stone.
Gift from the estate of Lilly Jacobson.
Art & Design Study Collection
Stored: Lilly Jacobson Collection Box 10
UND Art Collections Office, Hughes Fine Arts Center
Honoré Daumier was a prolific painter, printmaker and caricaturist born in 1808 in Marseille, France. In 1822 Daumier studied under Alexandre Lenoir, an artist and archaeologist that was dedicated to saving French monuments during the French Revolution. One year later he went on to attend the Académie Suisse. His works are best known for commenting and critiquing on the 19th century social and political life in France. Honoré Daumier's works can be found at the Louvre, the Metropolitan Museum of Art, the Rijksmuseum, and several other prominent collections internationally. The University of North Dakota holds more than 1600 works by Daumier, the vast majority of which are part of the Lilly Jacobson Collection, which can be accessed here: https://commons.und.edu/daumier-prints/.
Aside from making powerful politically-charged images that reflected his pro-republican views, Daumier satirized lawyers, doctors, businessmen, professors, and lifestyles of the bourgeoisie. Although the inscriptions that accompany Daumier’s lithographs were not written by him, one might assume they mostly conveyed the spirit of the artist’s intent behind his images.
Series: Album Caricaturana
Published in Le Charivari
Original text: (Bertrand) Dis donc, s’ils allaient nous faire un mauvais parti tous ces meurt-de-faim là ?… (Robert Macaire) Qui, la populace ?… tu ne la connais pas, ça crie, ça geule après les gens riches, comme les chiens après les mendians, mais ça ne mord pas……….. c’est pas méchant c’est bête et v’la tout…… (Il crie très haut) héééé…..hopp !!….. garrrre…gare-gare !…… (Le peuple remarque avec attendrissement qu’il n’a écrasé personne et qu’il a l’air très bon enfant).
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